It doesn’t happen as often as you imagine. He recently spoke with The Hollywood Reporter about his work and how the divergent states of the television and music industries have actually made it easier than ever to court an artist’s approval.Ī decisive point in the I Love Dick pilot comes when Kathryn Hahn’s character can’t secure song rights for her film. Gilbert, one of a slew of professionals finally eligible for an Emmy in the newly created “music supervision” category, has had to play the waiting game on a number of occasions.
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